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Beth Bradfish Concert and Exhibition Grace New York

Chicago-based VCFA alum Beth Bradfish has an ongoing exhibition and an upcoming concert in New York. The concert, “Attachments,” features other members of the VCFA community and takes place on June 27th. The exhibition, Untied/United, is a collaboration with multi-discplinary artist Connie Noyes. Both projects were completed under the auspices of Harvestworks.

Untied/United

Untied/United is an installation about the fragility and resilience of close relationships. Noyes has woven a web-like pattern of elastic threads through the exhibition room. Visitors can interact with them via strumming, pulling, or moving around the threads. As they do, sensors developed by Bradfish use that information to create changes in the installation’s soundscape. The changes depend on the density and closeness of the strings, among other factors. The interwoven effects of the visitors can create some drastic results, and invite guests to ponder our interconnectedness.

The installation is currently running, and will continue through July 22nd. The hours are 12–5 pm on Friday, Saturday, Sunday and Holiday Mondays at Governors Island Building 8a Nolan Park.

“Attachments”

The technology that Bradfish developed for the installation will also be part of a special collaborative concert on June 27th. She will present an improvisation for piano, bass, laptop, Wii Remotes, contact mics, and smartphones about the present, past, and future of familiar relationships and places. VCFA faculty Diane Moser will join her on piano, with VCFA alum Max Johnson on bass.

The concert will be Wednesday, June 27th, at the ISSUE Project Room, 22 Boerum Place, Brooklyn, NY 11201.

VCFA Professor Diane Moser Releases Birdsongs Album

VCFA professor Diane Moser’s album Birdsongs released in March, with a couple of CD release concerts planned for April. The album features Moser on piano, Anton Denner on flute and piccolo, and Ken Filiano on bass. The album represents a culmination point in Moser’s long-held fascination with birds and birdsong in music. Moser composed the vast majority of the album and she incorporates a set of variations on an Amy Beach piece. VCFA alum Kyle Pederson (‘17) contributed the composition “The (Un)Common Loon”.

Moser’s study of music and birdsong is well documented. Since staying at the MacDowell Colony—the same place that inspired Beach’s piece—she’s been fascinated. She gleefully recounts how the residency very quickly turned to her improvising for and with the birds at the retreat. Ever since, she’s become an expert on the subject. She’s held court on musicians playing for birds, musicians integrating recordings of birds into their music, and every other possible way to interact with nature’s most obviously musical creatures. She’ll mention everyone from John Luther Adams to Einojuhani Rautavaara at the drop of a hat. But for all her study, the music sounds anything but academic. It’s deft, light, even playful. The interplay between the musicians is clearly built on mutual understanding. Denner and Filiano get what Moser is going for, and they’re game to go along for the ride.

Moser has achieved something rare. She’s taken the full weight of her jazz expertise and applied it with profound thoughtfulness to a topic of deep fascination for her. And yet the resulting music feels effortlessly fun. Sounds of chickadees, sparrows, robins, and thrushes weave in and out of her trio. They definitely lend a unique feel to the music—it isn’t starting from the same place most music starts. But at the same time, it also just feels like good jazz.

You can find the album on CDBaby, Amazon, or iTunes/Apple Music.
Release concerts are slated  April 14, 5:00pm at Beattie-Powers Place in Catskill, NY and April 22 at Central Presbyterian Church of Montclair in Montclair, NJ.

You can also find live versions of a couple of these pieces on her previous album. For My Mother was recorded with Mark Dresser, Vijay Anderson, and Hafez Modirzadeh. The album was taken from a live recording, and was released through Minus Zero to benefit Planned Parenthood. (We’ve previously talked about other work she’s done for Minus Zero with VCFA alum Max Johnson.)

Album cover showing Diane Moser, Max Johnson, and Perry Robinson performing.

Max Johnson, Diane Moser join charity album with Perry Robinson

VCFA Music Composition graduate Max Johnson (Aug. ’16) and professor Diane Moser have recorded an album with clarinetist Perry Robinson, with all proceeds going to Planned Parenthood.

The album is called Top of the Head, and as the name suggests, it’s improvisatory—or, as the album’s Bandcamp page puts it, “spontaneously composed.” That’s actually a fantastic way to describe what’s happening on the album. All three musicians are jazz and improvisatory players, with deep wells of experience. Listening to the interplay between them is a joy. Moods shift and turn on a dime, and all three players are keyed in to the same emotional wavelength. The emotional intelligence and deep listening that improvisation requires is a skill, and Robinson, Johnson, and Moser have deep reserves of that skill. Hearing them respond to one another’s subtle changes in direction is a treat.

And it’s a treat for a good cause! Top of the Head has been released via Minus Zero, a musicians’ collective devoted to human rights and social justice. Planned Parenthood will receive 100 percent of the money that Minus Zero makes. The album was recorded in January 2014, but has just recently seen release. It came out on January 19, just in time for the anniversary of the Women’s March (and the second wave of marches).

Max Johnson is an adventurous composer and performer from New York City. In addition to composing and recording pieces with astonishing prolificacy (this is his third album release since July 2017), he’s also a sought-after session and touring bassist. You can catch him performing with the Jeff Austin Band across the country, as well as with his own duo, Jolliff & Johnson. He also performs with various ensembles and bluegrass jams across New York. He’s played with everyone from John Zorn to Andrew W.K.

Diane Moser is a bold jazz/improvisatory pianist and composer out of the New York area. Her Composers Big Band is a 17-piece ensemble that has been presenting monthly concerts since 1997. The ensemble is dedicated to developing and presenting new work. She also has a quintet and a trio. She’s performed with everyone from The Drifters to the Cedar Rapids Symphony Orchestra, Marty Ehrlich, Bill Zabatsky, and more.

Perry Robinson is a noted clarinetist, saxophonist, and composer. He grew up around music and musicians because of his father, composer Earl Robinson. Perry has been playing for a while—he attended the Lenox School of Jazz in Massachusetts in 1959. He has recorded with legends like Dave Brubeck and Archie Shepp, and he’s been releasing records regularly since his album Funk Dumpling in 1962.